‘Practical Spectating – an exploration of the multiple roles of the intermedial performance audience’. International Journal of Performance Arts and Digital Media, 2019

‘The Theatrical Dimension of Video Image’, REVIEW:

'Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance'. Chapter by Elizabeth Swift, ed. James Frieze (Palgrave Macmillan, 2017)

'What do audiences do? Negotiating the Possible Worlds of Participatory Theatre, by Elizabeth Swift in Journal of Contemporary Drama in English,Spring 2016, Volume 4, Issue 1. Pages 134-149 ISSN: 2195-0156

'A Reflection on Treading Water', by Elizabeth Swift in Site Specific – The Quay Thing Documented. Studies in Theatre and Performance.ISSN 1357-5341 August 2000

Virtualdayz: Remediated Visions & Digital Memories, by Elayne Zalis. Published by Create Space2008

'The Live/ Mediated Mash', by Elizabeth Swift in International Journal of Performance Arts and Digital Media, 2012 Volume 8 Issue 2.

'Losing the Plot – An Exploration of Narrative Collaboration and Control in Second Life', by Elizabeth Swift, inn International Journal of Performance Arts and Digital Media, 2010 Volume 6. Issue 2

'The Performative Space in the Virtual World' by Peter Ireland and Elizabeth Swift. Conference paper and project launch for the International Conference of Art and Society, Venice. In association with Venice Biennale 2009

'What do audiences do? And how can computers help us understand spectatorship as "doing”?'. Conference paper by Liz Swift for 24th Annual CDE Conference, Barcelona 2015

'The Hypertextual Experience: Digital Narratives, Spectator, Performance', by Elizabeth Swift, PhD thesis, Exeter University 2014.

'Really Doing It–An Exploration of Strategies for Interaction in Intermedial Performance conference paper for American Society for Theatre Research Conference: Work over Time. Seattle, US. 2010

'Negotiating Networks in Hypertext Fiction and Interactive Performance Work', conference paper by Elizabeth Swift for theTheatre and Performance Research Association Conference, 'Robotic Art and Interactive Theatre',by Eduardo Kac for Convergence Spring 2001, Volume 7, Number 1, 87-111

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